Statement

As an artist, I search for general ideas and convictions that give my life a meaning and enable myself to find a place in the universe. The true reality of art lies neither in abstraction nor in realism, but in the exploration of ultimate significance as a human being. Perhaps what is needed to understand human evolution is in technology that mimics the simulation of humans, along with simulations of interactions with all other organisms and the Earth itself. Perhaps, without such a comprehensive simulation, we cannot possibly claim to know that we did not evolve to see reality as it is.

Symbols of physical objects with color, texture, shape, movement and sound allow us to manipulate our invisible reality in the ways we need to survive and reproduce. To live is to continue solving such tasks and to present an endless variety of solutions. “Survival” as replication, synchronicity, control, regulation and movement: Time as a vital rhythm of transformation and progress. They are in global functional networks as synchronized activity in between humans’ action, technological automation and cosmic forces. Objects are not pre-existing entities that impose themselves on our senses, which I believe experience of flow is something virtual. The limits of continuity are not something that can be actualized.

Mind as a mirror of nature, and ideas as representations of real objects. The world mirrors itself in everything; whatever is in the world is a mirroring of the world. I am the producer of the art (product), pursuing subliminal thought processes, timelessness, cyclical ideas, and disorientation. Depict an entity of both cosmic and infinitesimal proportions, an idea that mirrors the expanse of the universe.

Just as telescopes and microscopes open new perspectives within our interface, mimicking simulation of humans in technology as measurable space to discuss probabilities. To describe probabilities of experiences and actions in abstract machines. Sometimes my work is to subverted in its original function and modified in its material objectivity by new arrangements or the introduction of mechanical activity, modifies the temporality of the object in the space: The Time factor influences the attitude of the object that moves in space with repeated temporal cadence, rhythms and sounds that lead to a renewal and transformation of the life of the object.

All processes are event-based, but our sense of time is an emotional one, not something that can be made with a clock. It’s something that we feel. Any time we count something, we are counting the process of change. If there is a problem with the concept of time, they are of our own creation…as Einstein put it ‘Time and space are modes by which we think, and not conditions in which we live.’

I am interested in things that can be set in a mode of constant production and form-making. I believe they are connected to the human compulsion to produce forms which are connected to the technological system of production that we have set into motion, thus mimicking the simulation of humans. The behavior of technological systems of production are random and opportunistic, just like the behavior of humans. Requiring the continuous transfer of energy, these ordering systems will almost always be found in a state of maximum disorder, or will move towards it. This is like having a moral contract, especially your own body, you have to maintain it just to ensure its continued existence. This is an anti-entropic process.

Death, feeling, suffering, our existence of the world: We inflate space-time and construct objects into carefully crafted shapes. But then we add embellishment. We determine the subject as shapes with colors and textures. I believe sound, motion, color and texture code critical data on our actions, which we infinitely create and destroy. They govern our survival and reproduction, and evolution has shaped our senses to keep us alive.

To act is to see and to see is to act. Creation involves reciprocal action. We have a body as a tool, and we also make tools such as language. In other words, the body is a biological organ that creates things in coordination with others within a network of technologies.